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I believe every student deserves to experience the melody—and the rhythm—of a tune firsthand. That means teaching today’s current, global groove and jazz genres in bold, creative ways with diverse, relevant repertoire and stellar content. The reality? Most middle and high school music programs struggle to diversify their offerings—not due to lack of effort, but because of limited options, content, context, and support.
These writings are designed to inject new energy into your classroom. If you’d like help tailoring this approach to your students, reach out. I’m here to support the shift.
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- Pain Points
- PTG Misc Blog Posts
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Flipping the Switch: A Call for Innovation in Music Classrooms
If you’ve been teaching music for more than a minute, you’ve probably noticed it: the world is moving…What if FUN was the goal? A New Vision for Music Education
Ask any group of music educators what their goals are and you’ll hear familiar responses: develop technique, prepare…21st Century Musicianship: Collaboration Over Competition
Redefining Success: 21st-Century Musicianship Starts with “We” For decades, music education has often emphasized individual achievement and competitive…Flexible Music, Flexible Minds: The Multimodal Power of UBC
Not all students learn the same way — and that’s not just a cliché. In music education, recognizing…Teach Musicianship, Not Just Music
It’s tempting to see your job as teaching songs — getting students to play the right notes, at…
Evolving Jazz Education
Empowering Teachers and Students Through Creative Collaborations with Unison-Based Content